Friday, 16 February 2024

 The Copper-Plate Engraving, and Printing Office (1815-21)

Cooke´s Synopsis represented a considerable amount of work and new evidence reveals that it was republished, not in its original form, but as a 2 or 3 Parts Issue. As early as January 1815, an advertisement was placed in the Royal Cornwall Gazette in which W Cock, of Penryn announces the forthcoming publication early in February next of A General Synopsis of Geography to be sold by subscription in 40 quarto numbers costing one shilling each (Fig. 31). W Cock will be printing and publishing the work; it will also be published by E Nile and Son and sold by S King of Dock and J Heard, Truro; other publishers will be based in London, S A Oddy of Ivy Lane and J and J Cundee of Paternoster Row, both connected to other geographical works. Already proof impressions of the Plates were available at 5s each.

 

Fig. 31. Advertisement in Royal Cornwall Gazette (January 1815). 

Two booklets at Yale[1] have original text sheets, bound in what appears to be a Parts Issue. The first of these is titled An historical introduction to the sciences in general, particularly geometry, astronomy and geography, from the most remote and earliest period ... also, the discovery of the several planets, by Herschel, Piazza, Olbers, and Mr. Harding (Fig. 32).

 This first of the two works (assuming the same sequence as the original) is By John Cooke, Engraver and Geographer and was Published by ####### / at the Copper-Plate Engraving and Printing Office, New Road, Stonehouse, / near Plymouth, / 1816. Part of the imprint of this volume (###) has had the publisher´s name crossed out by hand but it is still possible to discern the name of E Nile.

This volume, except for the new title page, is identical to the original Synopsis edition, the pagination runs from i to lvii and has four of the original engravings. Mary Cooke´s moon has the imprint seen in A General Synopsis; the larger Solar System has the High Street, Bloomsbury address seen in that work; however, the Seasons now has imprint Engraved, Published Jan 1 [space] by J Cooke, [space] Howland Street, Fitzroy Sque (Fig. 45c). Except for the use of an ampersand, the page of diagrams beginning with Refraction and Reflection also has this imprint. Howland Street was Cooke´s address circa 1799-1805 and the address Fitzroy Sque is only seen on Mrs Cooke´s trade card. This appears to be evidence of surplus stock from the earlier publication, the Circular Atlas of 1800-01. 

 

Fig. 32. Title page to An historical introduction to the sciences (1816).

The second part is The geometrical, astronomical and geographical definitions ... with an explanation of the astronomical and geographical terms ... Tables of the constellations, climates ... also, the method of drawing, the different geometrical figures with ease and accuracy. The second part has a similar but not identical authorship and imprint on the title page: By John Cooke, Engraver and Geographer, Late Engraver to the Admiralty but this time the imprint reads London: / Printed for the Proprietor, E Nile, Bookseller, Union-Street, New-Road, Stonehouse, / near Plymouth; and sold by all other booksellers in the / United Kingdom, / 1816. This Part contains all plates appearing in the Synopsis, from page 1 to 29, with High Street, Bloomsbury imprints.

While the original covers of these works have been lost, a small paper label, possibly cut from one issue has been saved and pasted on to the new cover in which both are placed. This label bears the title An historical introduction to the sciences in general with Price Seven Shillings.  

There is now no mention of E Nile and Son, or of S King, Dock, or the well-known London companies whose participation were advertised the previous year. Cooke would be associated with Mrs Nile throughout the period 1816-1820.

This is clearly leftover stock being reissued, but approximately one third of the earlier Synopsis is lacking; this would neatly form a third part, covering pages 30 to 53 and would constitute a manual for those endeavouring to learn the skills of a mapmaker. Given three more or less equal parts at seven shillings each, the final work would cost one guinea.

Very little work is known from the Copper Plate Engraving and Printing Office, but all of it is associated with Mrs E Nile and/or John Cooke – except one. The Chart of the Harbour of Plymouth / Taken 1817 covers all of the area which surrounds Plymouth Sound and Cawsand Bay (22).

On the right is a sketch (A) of a dry dock with its (planned?) dimensions. This is explained in the Reference (Ea) as a dry dock at Tanchapel (sic); this should be Turnchapel. John Parker, also known as the 1st Earl of Morley, was the landowner at Turnchapel, and he improved the wharves there, an important site of repairs to His Majesty´s Navy, with a wet dock (c.1798) and a dry dock in 1804. In 1812 it saw the launch of the Clarence, a 74-gun ship-of-the-line.

Although not signed, this chart is believed to be the first by John Cooke executed in Plymouth. It was printed at the Copper Plate Engraving and Printing Office which would become linked with a number of Cooke´s maps and plans from 1820. The chart is very similar to another by Cooke (31) which also lacked a bottom border. The approach using Tor House is clearly explained: Tor-House and Black spot in a centre of a White Patch on the Garrison Wall is the leading Mark through Sedley´s Channel. This inclusion of Tor House is also seen in the later chart. Except for the imprint this looks like a chart prepared for a government report.

In Cooke´s plans of Plymouth Dock (19 and 20) he had omitted most coastal features, but in this chart, we have a suggestion of coastal shading. The mud flats to the west are clearly shown, not dissimilar to those of his Falmouth chart (23).

Cooke’s plan of Stoke Damerell and the plan of Plymouth Dock had concentrated on that small area. This chart now takes in the whole of the greater Plymouth waterway. The breakwater has its two end promontories both facing inwards: started in 1812 it was just starting to take shape. More of an enigma is that where Kerr Street was shown in the plan of 1810, we now have Windmill Hill.

If this chart is by John Cooke, and the date represents the year it was finished (as opposed to being copied at a later date) then it is his earliest plan to be produced in Devon. It also included the breakwater and was one of the earliest of all plans to show it. The Breakwater does appear to have fascinated John Cooke, or he saw a commercial opportunity. In the years he spent in Plymouth he would complete three different plans of the breakwater (entries 28, 30 and 36) and publish a small booklet (jointly with J Johns of Plymouth), reprinting much of John Rennie´s initial reports to the Admiralty. The small chart included in this latter work was Published for and sold by Mrs E Nile, probably from the Copper Plate Engraving and Printing Office (27).

Whereas there is a dearth of material by Cooke from 1812 to 1815 Cooke´s output seems to be slow and steady from about 1820 after initial contact with the Copper-Plate Engraving and Printing Office. A detailed map of the Borough of Plymouth was issued in that year (25). The engraver’s signature is clearly that of John Cooke and the imprint is: Pubd April 15. 1820. by Mrs E Nile, No. 48 Union St, Stonehouse. The imprint of Mrs Nile, however, continues … Engraving & Copper-Plate Printing Office. John Cooke and Mrs Nile have some sort of business arrangement.

There is a dedication on a tablet in a vignette to the Mayor, commonalty and inhabitants from John Cooke. If John Cooke was simply the engraver, this would be strange indeed. Whether John Cooke received permission to do this, or whether it was a means to attract official consent, is not known but this is not the only map to have, or to seek, public support.

These last two maps indicate that Cooke may have been active for Mrs Nile for up to three years. The Borough plan not only has the imprint: Engraving & Copper-Plate Printing Office but the premises are marked with an asterisk on Union Street (Fig. 33, the map has even been extended into the border to include it).

In the same year the first edition of Cooke´s Plan of the Towns and Harbour of Plymouth, Stonehouse, Dock also appeared (26). The Plan has a comprehensive key and the Copper Plate Print. Off. is shown as reference h, again in Union Street (but not in the imprint).

 

Fig. 33. Union Street / New Road. The Copper-Plate Engraving and Printing Office is shown by a star, just after the turnpike gate. 

Shortly after, Cooke´s first plan of the Plymouth Breakwater appeared. This engineering project attracted a lot of attention around this time and many works relating to it were published. The Interesting Particulars, relative to that Great National Undertaking, the Breakwater was printed for, and sold by J Johns at Plymouth Dock and John Cooke of Union Street, Stonehouse in 1821. This booklet contains two cartographic works: Cooke’s Guide to Plymouth Sound and Breakwater (27), a small map covering the area from Ram Head and Mew Stone and the course of the river as far as Tor Point with an extra plan below the bottom border - Transverse section of the Breakwater. The imprint is that of Mrs E Nile, again at the address of 48, Union Street. The second work is another fairly detailed engraving of two plans of the proposed breakwater at Plymouth (28). The upper plan: PLYMOUTH BREAKWATER. When finished has John’s signature. The lower plan: Transverse section of the Breakwater as finish'd has Mrs Nile’s imprint.

As early as 1815 there had been a tentative link between Mrs Nile and John Cooke with the announcement of a new edition of the Synopsis (see above) and the Synopsis parts issued at the Copper-Plate Engraving and Printing Office. In 1820 we have three maps with the imprint of Mrs Nile, and all of them associated with John Cooke, and we have a chart Taken in 1817 produced by the Copper Plate Engraving and Printing Office at 48 Union Street which she seems to have owned and which bears the hallmarks of a Cooke plan. A further enigma is that Mrs E Nile only appears with the arrival of John Cooke and after he leaves her “partnership” she is not heard of again. 

 

Fig. 34. The Solar System as published in the Universal Atlas.


Links to sections of I - London


Links to section II - Plymouth. 

Stonehouse (1813-1845) 

Napoleon and Cooke´s first Plymouth engravings 

The Copper-Plate Engraving, and Printing Office (1815-21)

John Cooke of Union Street, Stonehouse (1823-1845)

Summary

Return to Introduction


Link to IV: Short List of John Cooke's works.


Notes to The Copper-Plate Engraving, and Printing Office (1815-21)


[1] The Yale Medical Historical Library has what appears to be two parts recently bound as one.

Napoleon and Cooke´s first Plymouth engravings 

Napoleon Bonaparte, hero of Toulon in 1793, visited Plymouth somewhat against his will for ten days in July-August 1815. Napoleon had celebrity status, despite the misery caused to millions and every person who could, tried to make profit out of this unique opportunity. Probably the first to see a money-making opportunity, every resident who owned a boat was keen to hire out their small craft: it is reported that almost 10,000 trippers were taken out in all manner of boats over the ten days. Others offered to supply the various needs of those on HMS Bellerophon such as quantities of provisions, carrying messages or even doing the laundry, but Capt. Maitland was under strict instructions to allow no one on board. Napoleon had surrendered to Captain Frederick Lewis Maitland after negotiations off the French coast and was escorted first to Tor Bay, arriving on July 24th. The Bellerophon then spent ten days in Sutton Harbour before Napoleon was transferred on August 7th to HMS Northumberland off Berry Head for ultimate exile on St Helena.

Fig. 25. Advert for an engraving of Napoleon Buonaparte, Royal Cornwall Gazette, August 1815. 

Napoleon was accompanied on board the Bellerophon by an entourage of officers, men, his surgeon and ladies. Colonel Planat, one of those officers, drew a sketch likeness of the Emperor and this was soon copied. The exact circumstances of the drawing becoming available are not known but within weeks a large number of copies of this were being printed.

One such portrait was that by John Spurgeon[i], a well-known artist. The text title here reads: Napoleon Buonaparte from a sketch by Colonel Planat his private Secretary on board H M S Bellerophon, Plymouth Sound, July 31st 1815. A similar portrait has Napoleon Bonaparte drawn by M Planat Lt. Col. D´artillerie, officier d´ordnance รก l´empeur. Eurotas Frigate Augt 7th 1815. Nicolas Louis Planat De La Faye, on hearing of his master´s impending exile, was much affected, and even wept;[ii] he himself being transported on the Eurotas to his place of exile, on Gozo (Malta).[iii] He was bequeathed 40,000 francs in Napoleon´s will.

We know that two local entrepreneurs were offering a print of Napoleon only ten days later: John Cooke and Thomas Huss. In an advertisement dated August 17th, 1815, John Cooke is offering an Engraving by Mr Cooke, Union Street, New Road, Stonehouse and Shortly Will Be Published The most respectable portrait of Napoleon Buonaparte (Fig. 25). In addition, the advert asserts that even Captain Maitland had testified its likeness to the Emperor. Proof Impressions were to cost 5s and subscriptions were requested. These were to be sent to Mr Nettleton of the Royal Cornwall Gazette Office in Truro. This would be Peter Nettleton, Jr, who published the Gazette, also known as the Falmouth Packet and Plymouth Journal.

The publisher of the print was the Stonehouse bookseller and print publisher Thomas Huss. The engraving was executed by John Cooke (Fig. 26).[iv] The title reads NAPOLEON. / Born at Ajaccio Augt 15th 1769 / Engraved by John Cooke, but the imprint is Published for the Proprietor, Septr 29th, 1815, by T. Huss Bookseller, Stonehouse, Devon. Whereas all the other prints seen are sketch likenesses attributed to the pencil of Col. Planat, this print is From a Painting by Lacoste, Deposited in the Imperial Library, Paris. Corrected at Plymouth. 1815. Cooke´s copy is identical to the original as far as the uniform is concerned, but the facial features (and the cockade in the hat) are subtly different. If anything, Cooke makes Napoleon a touch friendlier than he seems in the portrait by Louis-Conil Lacoste (b. July 20, 1773, Castelnaudary d. July 21, 1850), a self-taught artist and engraver.

Fig. 26. Print of Napoleon by John Cooke. [vi] 



According to Alfred John Dunkin[v], Captain Maitland actually possessed an original copper plate engraving by John Cooke but writes the imprint was Published by T [sic] Cooke, Union Street, Stonehouse, Devon, Aug. 15, 1815, possibly signifying both Cooke and Huss had prints run off for sale, or an earlier edition.

Thomas Huss had been a bookseller and music seller for many years, possibly since the 1790s, and had been involved in selling works by local residents, and may have published a small number with other local booksellers. He was also an agent for lotteries, e.g. selling tickets for Bish`s New Year Lottery in 1814.[vii] Huss ran a circulating library from premises in Chapel St. from c. 1821 which continued for at least another twenty years. When, in 1824, Thomas Huss died Mrs. (Mary) Huss retained the stationery business until at least 1852 and the library continued until at least 1850 when to walk round and view Edgcumbe Park (see 24A), it was necessary “for strangers to make application to Mrs. Huss, bookseller, Stonehouse, when a guide may be obtained for a party not exceeding six persons; but on Mondays free admission is given to the public, without more trouble than entering names at the lodge gate”.[viii]

When Ann Thomas of Millbrook needed her anti-Jacobin novel, Adolphus de Biron. A novel sold, she turned to local booksellers including Thomas Huss. Her novel, set out in a sequence of letters, was printed for the authoress in Plymouth by P. Nettleton and appeared in 1794[9], was published or distributed by Messrs. Nettleton, Wills, and Barnikel, in Plymouth; Mr. Huss, Stonehouse; Messrs. Hoxland, Fraser, and Heydon, Dock; and Mr. Woolmer, Bookseller, Exeter.

Obadiah Prim would certainly have appreciated her contribution to anti-Jacobin sentiments as shown by Adolphus when he said: Look, therefore, ye Sons of Britain, on the awful Scene, which France now presents to your View, with Sentiments worthy of your Character. Regard the Passing Events in awful Silence, and turn our Calamities to your own Advantage, by a due Thankfulness to Providence for the Blessings you enjoy under your well-formed and excellent Constitution.[10]

The next two works signed by John Cooke again clearly link him with Devon but there is a period of two years before they appear: C S Gilbert´s An Historical Survey of the County of Cornwall published [Plymouth] Dock by J Congdon in 1817 included a simple chart of Falmouth Harbour (23) and other engravings; and two simpler plans illustrating the Substance of a Statement and depicted a Rail Road from the Forest of Dartmoor to the Plymouth Lime-Quarries. This latter work was published in London, by Harding in 1819 (24) and presented by Sir Thomas Tyrwhitt who was instrumental in the construction of the prisoner-of-war camp, popularly known as Dartmoor Prison. Both maps are signed by John Cooke Stonehouse, Plymo.


 

Fig. 27: Dedication to Hugh Percy in Gilbert´s History of Cornwall.


The Historical Survey of Cornwall was published in two volumes and besides the chart of the harbour was richly illustrated with 25 pages of heraldic arms (Fig. 28). Charles Sandoe Gilbert (1760–1831) was born in the parish of Kenwyn, near Truro, 1760. He became an itinerant vendor of medicines in Cornwall and Devonshire, where his universal remedies were well received and brought him considerable wealth. He later opened shops at Plymouth and Devonport.

 

Fig. 28: One of 25 sheets of heraldic arms in Gilbert´s History of Cornwall.


Gilbert acquired information which led him to believe that he might claim descent from the Gilberts of Compton Castle, Devonshire, and began to study antiquities and heraldry. In his journeys through Cornwall (and those of his agents) he collected a vast amount of information. The first volume of An Historical Survey of the County of Cornwall appeared in 1817. This was richly supported by the then 2nd Duke of Northumberland, Lieutenant General Hugh Percy (1742-1817). The dedicatory panel in the first volume is a showcase of Cooke´s abilities (Fig. 27). Hugh Percy´s death postponed the publishing of the second volume, which came out in 1820, with assistance from the 3rd Duke, also Hugh Percy (1785-1847). It is judged by some to be one of the best and most useful of the books on Cornwall. The work cost double the estimate, and in 1825 Gilbert was made a bankrupt. He moved to London opening a chemist's shop in the Strand where he died, 30 May 1831, and was buried in the churchyard of the Savoy.

  

Fig. 29. Map title panel, dedication to John Wodehouse in Gilbert´s History of Cornwall.


A large chart of Falmouth Harbour accompanies the work (a copy of one drawn in the reign of King Charles II) and this is signed below the rather intriguing title panel by Cooke (Fig. 29). In addition to the map, Cooke´s signature appears under the arms of the Duke of Northumberland accompanying the dedication in Book 1, and also at the bottom of two Plates (17 and 19) of the 25 pages of heraldic arms in Book 2[11]. Although this second volume was not published until 1820, John Congdon´s imprint with date appears on several of these 25 pages, inferring the arms were ready in 1817.

Although the numerous arms are fairly simple pieces of engraving, the coat of arms above the dedication is a very accomplished piece of engraving and is one of the most ornate pieces that Cooke is known to have executed.

The two volumes are illustrated with a variety of different engravings and woodcuts with portraits of nobles, usually relatives of a sponsor, and views of residences. The frontispiece portrait is of Anthony Payne, an ancestor of George Granville Leveson Gower to whom it is dedicated (and who financed it). Other illustrations include a title page vignette of Treryn Castle signed by J Rickard of Exeter, and woodcuts both within the text and as plates, e.g. the Cheesewring or Cromlechs, engraved by Walker of Newcastle. There are attractive views of properties such as that of Pentillie Castle, home of John Tillie Coryton Esq., this being one of several signed by J C Stadler.

Thomas Tyrwhitt was a colourful figure. Born in Essex, he attended Eton College and Christ Church, Oxford but had a long relationship with Dartmoor. He became private secretary to the Prince of Wales where he probably came into contact with Dartmoor as part of the lands of the Duchy of Cornwall. He became MP for Okehampton in 1796 (until 1802) and bought a farm, which he named Tor Royal, and grew high quality flax. He had several roads built across Dartmoor at this time as well as the hamlet of Prince´s Town, named in honour of his previous employer. He laid the foundation stone of the prisoner-of-war prison buildings on March 20th 1806 and first French and later, American, prisoners-of-war were housed there. That year he became MP for Plymouth. Knighted in 1812 he was forced to amend his plans when the prison emptied. In order to encourage the continued use of the buildings as well as provide better connections to his personal village he invested much energy proposing the construction of a railway from Plymouth to Princetown[12]. The plan drawn for the proposals showed the Line of intended rail road as laid from prison of war to Plymouth Harbour and lime rocks at Catwater.
The railway design consisted of an inclined plane, nine feet broad, bounded on each side by grooved slips of iron, which were fitted to receive the car or wagon passing over them. Tyrwhitt´s report is in fact an advertisement for parliamentary permission and summarises all the advantages such a rail road could bring referring specifically to the plan: The accompanying plan of the line of road is by one of the gentlemen employed on that magnificent work, the Plymouth Breakwater, who has taken the levels with all possible accuracy, and, on the execution of the measure, will be permitted to dedicate his leisure hours to the superintendence of the undertaking (p.27). Reference is made to the plan again under Benefits: The plan, annexed to this pamphlet, is founded on actual surveys, taken by a gentleman, whose skill has been manifested in various important works, and whose capability of performing whatever he undertakes is guaranteed by his long experience. These two comments are certainly not about John Cooke, but refer to Mr William Stuart[13] who was superintendent of the Plymouth breakwater project at that time, an undertaking that clearly impressed Cooke.

Fig. 30. Plate 13 from Synopsis of Geography, 1812.

Notes to Napoleon and Cooke´s first Plymouth engravings 

[i] A number of engravings, all apparently taken from the same pencil sketch, are extant. Another print was sold by Forum Auctions of London in 2016. An unknown author sent a letter to his uncle enclosing a similar sketch in August 1815; a photocopy of which is held at NMM, but the original is illustrated at https://www.earsathome.com/letters. This was discovered by Eunice Shanahan at a fair.
[ii] Memoirs of Napoleon Bonaparte by M de Bourrienne (his private secretary) in 4 volumes; London; Richard Bentley; 1836.
[iii] Narrative of the Surrender of Buonaparte; Captain Frederick Lewis Maitland; London; Henry Colborn; 1826.
[iv] Copies are held at the WDRO in Plymouth and the National Library of Ireland.
[v] Alfred John Dunkin in a letter to Notes & Queries, July 16, 1870.
[vi] Image is on-line Courtesy of the National Library of Ireland (size 23 x 16 cm). Image of the pencil sketch by Spurgeon is on-line: Courtesy of the British Library. This engraving is one of two at the British Library; another was used by William Kirk Dickson in his reissue of the history of Captain Maitland and Napoleon´s Surrender; published by William Blackwood, Edinburgh, 1904.
[vii] Flindell´s Western Luminary; Vol. II, Issue 45; January 1814.
[viii] White´s History of Devonshire; 1850.
[9] It was being offered by Lackington & Allen at 6s as early as 13th May 1794 in the Manchester Mercury.
[10] Ann Thomas; Adolphus de Biron. A Novel; published by the author; Plymouth; (1794). For a discussion of the literature of the time, see also M O Grenby; The Anti-Jacobin Novel; Cambridge Press; 2004.
[11] These pages of heraldic arms are badly cut and many copies seen lack Cooke´s imprint but Plate 17 has been seen on a copy posted on-line by the Wellcome Library and Plates 17 and 19 on the Yale copy, also online. Although planned to be published in two volumes with the arms in Vol. II, it was often bound as 3 books. Nevertheless, some copies do have Vols II and III combined despite the Directions to the Binder in Vol. III; hence, the 25 Plates are nearly always in Vol. II.
[12] Cooke´s Guide to Plymouth Sound and Breakwater (27) has a transverse section plan which also notes that: the first rail was laid to the Plymouth & Dartmoor Rail Road by Sir Thomas Tyrwhitt, August 12th, 1819.
[13] Stuart´s name crops up on Cooke´s final breakwater plan.


 Plymouth

Stonehouse (1813-1845) 

Although today we can say John Cooke worked from London and Plymouth, this is not strictly accurate. The address he usually gave on his work produced in Devon is actually Stonehouse. In 1690 the Admiralty decided it needed a new naval dockyard, preferably in the west of England, and chose to build it east of the Hamoaze at the mouth of the Tamar River. The area here, owned by the St Aubyn family, had been known as Stoke Damerell and this was prominent in the map drawn up for Sr John St Aubyn in 1810 (19). Residential areas were squeezed into a narrow rectangle of land, completely surrounded by dockyard and barracks with only two roads leading out (both through government property) and one waterfront on the west coast. Nevertheless, by the time John Cooke moved to the area, it had a population larger than its two neighbouring areas of Stonehouse and Plymouth combined. 

Fig. 22. The West Prospect of …  Plymouth by Samuel and Nathaniel Buck. 

The view of Stoke Damerell, or as it was popularly known, much to the chagrin of the locals, Plymouth Dock or simply Dock of Samuel and Nathaniel Buck (Fig. 22) shows the west side of the town with its access to the Hamoaze.  Plymouth, the original settlement was to the east and situated between the Tamar and Plym rivers, but very much concentrated around the harbour of Sutton Pool. Between these two conurbations lay the small village of Stonehouse, or more properly East Stonehouse (West Stonehouse lay in Cornwall).

The shortest route in and out of Dock was via a bridge and the exceedingly high toll (of one half penny) also had to be paid by the soldiers from the garrison. This forked into Fore Street in the north and Edgcumbe and Union streets in the south. Union Street being the main connecting route between Plymouth passing through marsh land, the New Road and Dock. In 1812 Fore Street was described thus: but in so despicable hole as Fore Street is at present, no man of property can be expected to reside and the writer is disparaging of the landowners, Earl Mount Edgcumbe and Sir John St Aubyn.[1]

This was the situation when John Foulston (1772-1841) won a competition to design the Theatre Royal with Hotel group of buildings in 1810. This complex was completed between 1811 and 1813 (see Fig. 35). Notable for the integration of cast and wrought iron in its construction it had to make way for a cinema in the 1930s. However, another of his first projects in Plymouth was to construct Union Street to join the three towns; it was planned as a grand boulevard and was then mainly populated by the wealthy. Consequently, only 12 years later, in a second edition of The Tourist´s Companion written in 1823, the buildings were said to be: neat and handsome, and the streets straight and commodious, particularly those of Durnford-street, Emma-place, Edgcumbe-street and Union-street. These are almost entirely occupied by genteel families, chiefly those of naval and military officers, and other persons holding situations under government. The addition of Union-street … is an improvement of the greatest importance … [it] affords a spacious thoroughfare, and presents … a succession of neat and uniform buildings. 

 

Fig. 23. John Foulston´s arrangement of buildings in Ker Street, c.1829.

There is one very noteworthy example of Foulston´s work in his complex of buildings which still stand in Ker Street, constructed in 1821-24. Consisting essentially of the Devonport column, erected to commemorate Devonport´s change of name and status, it also includes a Greek-style town hall and a library built in an Egyptian style along with other neighbouring buildings (Fig. 23).

The first guide book to any of these Three Towns, as they were called,[2] is generally regarded as The Picture of Plymouth and the text is credited to Henry Woollcombe (1777-1846), a local Plymouth resident and Attorney at Law of Frankfort Street, who founded the Plymouth Athenaeum and became Mayor of Plymouth (1813). This guide was first issued by Rees and Curtis and contained one small map, The Town of Plymouth Dock 1811 (20) signed by John Cooke, and was a smaller copy of the large plan drawn up for the St Aubyn family (19). There was no immediate reason to think John Cooke was local, or even living locally, as the book was sold by Longman, Hurst, Rees, Orme, and Brown, a well-known London group of publishers and booksellers. With much expanded and revised text this was republished as The Tourist´s Companion, published by Granville & Son of Plymouth-Dock, in 1823 and 1828 (see entry 20). Significantly, for the second issue, the date (1811) was deleted but New Road Stonehouse Plymo was added to Cooke’s signature. This now linked Cooke with Plymouth and New Road and identified the engraver of the 1811 map with Plymouth.

It will not be until 1815 that we have any signed work by Cooke but, as stated earlier, there is evidence that John Cooke married Elizabeth Beecham in 1809 and moved south to set up home. From 1813 we find John and Elizabeth Cooke resident in Stonehouse, Plymouth. The couple do not seem to have been regular church goers as the baptisms of their children often took place years after birth. The registers of baptisms record that James Cooke was baptised in September 1813 (recorded in St Andrew, Plymouth) with a note “said to be born December 25th 1812”: father was John Cooke, Engraver. Two years later, Edward Cooke was “said to be born in 1814” when his birth was recorded in St Andrew, Plymouth in February 1816 with the parents´ address simply recorded as Stonehouse.

According to The Plymouth, Plymouth Dock and Stonehouse General Directory of 1814, Cooke, J, Engraver and Copperplate Printer was resident in Fore Street, opposite the Royal Navy Hospital (Fig. 24). Further children were baptised together in April 1827; John Cooke (born 1821), Henry (1823) and William (1825). A further son, Charles, was born 23rd March 1830 but not baptised until 24th September of the same year.[3] 

 

Fig. 24. Detail showing Union Street and the Naval Hospital. Letter “h” in Union Street identifies the Copper Plate Printing Office. 

It would appear that about the time Stonehouse was receiving a make-over, John Cooke moved to the area and started a family. With his experience at the Admiralty and knowledge of map and chart-making he could have sought work at the rapidly expanding naval dockyard. Perhaps he was enticed with the promise of further work by his previous employer, Sir John St Aubyn. Whether his first children were born in Stonehouse (or London) is not clear from the birth registry but in the 1861 census Edward, the second son, is listed as “Born Plymouth, Devon”.

Edward himself became a midshipman in the Royal Navy and married Charlotte Valentine in Stepney, Middlesex in November 1838. In the 1841 census he was resident at St Vincent Street in Stepney with his wife and daughter (Charlotte age 1) as well as William Cooke, aged 15. Although Edward´s age is given as 25 (he would be 27) William at 15 could be his brother.


Links to sections of I - London


Links to section II - Plymouth. 

Stonehouse (1813-1845) 

Napoleon and Cooke´s first Plymouth engravings 

The Copper-Plate Engraving, and Printing Office (1815-21)

John Cooke of Union Street, Stonehouse (1823-1845)

Summary

Return to Introduction

Link to IV: Short List of John Cooke's works.


 Notes to Stonehouse (1813-1845) 



[1] The Picture of Plymouth by Henry Woollcombe, 1812. Pages 84-88.

[2] The Three Towns were Plymouth, Devonport (previously known as Plymouth-Dock or Dock) and (East) Stonehouse.

[3] I am grateful to Dr Shirley Atkinson who made copies of all birth registrations and baptisms available. She is a direct descendent of Edward, the second son.

 Synopsis of Geography

The Synopsis of Geography is another impressive work. This attempted to present an historical introduction to the sciences of geometry, astronomy and geography (in the Introduction of lvii pages) and also to explain the geometrical figures and problems … with an easy and regular method of drawing maps (41 pages plus a table of latitude and longitude translated from the French of more than a thousand locations around the world). This Synopsis of Geography, published in 1812, was printed for James Cooke at his Bloomsbury address (21, and Fig. 20).

A complete manual and guide to the drawing of maps, with historical introduction, geometrical figures and discussion of projections it is illustrated with 20 copper plates, most dated 1811 and signed by John Cooke. The work also contains the full-page frontispiece of the moon engraved by Miss Mary Cooke (Fig. 18). John’s signature typically adds the address of 57 High Street, Bloomsbury, which was almost certainly the address of his younger brother, James.[1] There is no evidence to show what trade James was involved in and he may have lent his name to this project to help his brother. John would name his first child James.

As one might expect for a London publication two of the companies listed on the title page are in the capital: Longman and Co., major book distributors at the time, and S Bagster, Strand who was also involved with Vivant Denon´s Egypt Delineated (10). However, there are also Plymouth publishers such as Rees and Curtis, and Nettleton and Son, who would both publish Picture of Plymouth / The Tourist´s Companion (see 20). Other distributors were Woolmer and Upham, Exeter; J C Motley, Portsmouth; S Hazard, Bath; W Brown and W Sheppard, Bristol; T Milnes, Liverpool; Brodie, Dowdon and Luxford, Salisbury; and Darcy and Hildyard, Hull.

The Synopsis was not advertised extensively. Whereas the Universal Atlas had been widely advertised, only one newspaper has so far been discovered which carried an advert for the Synopsis. On Wednesday March 11, 1812, The Globe ran a small advert on its front page (Fig. 21).

 

Fig. 20. Title Page to A General Synopsis of Geography 1812.

The Synopsis suffered slightly less at the hands of the critics than his Atlas had. The British Critic[2] complimented the plate of the aspect of the moon by Mary (and speculated Mary was the author´s daughter) and added: There is certainly so much merit in the engraving, that we were willing also to bear our testimony to the ingenuity of the young artist. The, otherwise negative review, finished with "Altogether it is a book merely for beginners, and in that point of view is rendered rather more expensive than it ought to be, and without necessity" (it cost £1). However, The New Annual Register for the Year 1813[3], published by John Stockdale, who had also published the works by Edwards, was rather more complimentary but rather confused: We notice this as an elementary work of great merit, on account of its neatness and accuracy. The Engravings, which are executed by Miss Cooke, are peculiarly delicate and beautiful.

The text to the Synopsis, like the Atlas ten years before it, reveals a vast amount of reading on the part of the author, however, there is a complete difference when it comes to the content. Whereas the Atlas confined itself, more or less, to what could be seen and experienced, the solar system or the fixed stars etc., the Synopsis attempts to chart the progress of Geography and of Astronomy from their roots to the present day. It was written near to completion of the work as a reference to the appointment of Mr Pond as Astronomer Royal in the present year, 1811 testifies (page lvi). The writer had great admiration for the work of Sir Isaac Newton and the final part of the Introduction is mainly devoted to his findings. The author is very possibly Cooke as the title page seems to suggest and the explanations of various geometrical figures and problems and easy and regular method of drawing maps in the Synopsis certainly must have been by Cooke himself (Fig. 30).

Two of the preliminary illustrations (these plates are not numbered but printer´s instructions are included, top right) are newly engraved plates of images that had originally appeared in the Universal Atlas. Both The Seven Planets of the Solar System (now simply The Solar System) and The Vicissitudes of the Seasons were increased in size (each 250 x 195 mm) and given new imprints. The fourth introductory plate is of Refraction and Reflection. The imprint is that found on all other plates; however, in 1816 it was reissued with a Howland Street address, and this plate is referred to as being present in the Circular Atlas Part I of 1801.

The preparation and publication of the Synopsis would have required an incredible amount of work in 1811 and 1812. There is new evidence to show that not all text copies were sold and the Synopsis was reissued, in slightly altered form and new title pages, in 1816; by this time Cooke was living and working in Stonehouse, part of Plymouth today.

Besides the Synopsis maps, only seven more maps signed by Cooke have been found which were produced after his departure from the Admiralty in 1805 but before 1817. These include the four maps for the Cyclopaedia written and produced by Abraham Rees, a map of the British Empire in the East and the maps of Plymouth Dock already mentioned. A short time after publication of the Synopsis, John Cooke moved permanently to Plymouth. The fact that this work was published from the address of James Cooke possibly indicates temporary residence there while the Synopsis was published.

Cooke’s last signed works had been the 2 plans of Plymouth Dock of 1810/1811 and the Synopsis of 1812 giving London as his address. It would be three more years before the next works appeared signed by John Cooke and they would all be connected with the Plymouth area. 

 

Fig. 21. Advert in The Globe, Wednesday March 11, 1812.

Links to sections of I - London


Links to section II - Plymouth. 

Stonehouse (1813-1845) 

Napoleon and Cooke´s first Plymouth engravings 

The Copper-Plate Engraving, and Printing Office (1815-21)

John Cooke of Union Street, Stonehouse (1823-1845)

Summary

Return to Introduction

Link to IV: Short List of John Cooke's works.

Notes to  Synopsis of Geography


[1] Another James Cooke was apprenticed to William Cooke, bookbinder, from 1745-1753; William´s

business being carried on by his widow, Mary, after his death in 1775. The London Daily Advertiser carries two announcements: 1. On Thursday [6 Apr] died at Pancras, Mr. Cooke, of Fetter-lane, bookbinder to the Honourable House of Commons (8 Apr 1775); 2. All persons having any demands on the estate of William Cooke, late of Fetter-lane, London, bookbinder, deceased, are desired to send an account and particulars thereof to Mary Cooke, his widow and administratrix, and all persons indebted to the estate are desired to pay the same forthwith or they will be sued without further notice. The business is carried on as usual, at the same place, by the widow, for the benefit of herself and small family (17 Aug 1775).

[2] The British Critic for the second half of 1813 (Volume XLII); published by F C and J Rivington; London; 1813.

[3] The New Annual Register for the Year 1813; John Stockdale; Piccadilly, London; 1814; p.368

  John Cooke                  Engraver and Publisher: 1765 - 1845                         JOHN COOKE – of London and Plymouth THIRD EDITION ...